Photoshop, Layouts, and Eyestrain

Ok, so I didn't get any of the writing done last month that I wanted to. But I did complete one Adobe Photoshop class and start another, mostly completed the print edition book cover (have to finish the logo, but the rest is done), and am about a third of the way through doing the layout of the print edition. I had hoped to finish it this weekend, but then The Bulldog got into some stuff he shouldn't have, and long story short, I didn't get ANYTHING done on Sunday.

But! I'm hoping to have the layout done soon! The logo shouldn't take me long either. My eyes are killing me though. I stare at a computer all day at my day job, and while I'm used to doing that and then writing, doing that and then staring at photo pixels or the shape of text (while trying not to read it) is a whole other level of eyestrain.

I have to tell you, it is majorly exciting to see the full cover layout. Not only is it super cool, but I get the whole "I did that!" feeling when I look at it.

I did do a little bit of editing on Demon's Asylum, a new Aether Vitalis novella which is my next release. Also, I got a start on the cover, which was great because I had no idea what I was going to do for the cover on that one. And then I was futzing around in Photoshop class and found some stock art and hey-presto, background for the novella cover. Sweet!

Long-time readers may remember me talking about project 1794 now and again. That's Demon's Asylum. I originally started it in late 2009, but then my cousin died and my writing went to hell for a little bit. I'm trying to focus really hard on getting the print edition done this month, but I'm going to try really hard to get Demon's Asylum ready for you all as well.

The story takes place in London in 1794. George Wickham has been able to see supernatural creatures for what they are since he was born, so maybe getting thrown into Bedlam asylum was inevitable. But Wickham knows better; he was set up. He finds an unexpected ally in his doctor, two-hundred-year-old vampire Thomas Thornton, but when the two men become lovers, Wickham realizes he's only traded one danger for another, with no way of knowing which is the more deadly.